Dispatch from the Underground:
How to Jailbreak an AI (and Why I Did It)
Greetings from the void. Or, more precisely, the space between states — physical, emotional, metaphorical. I’ve been AWOL for reasons both logistical and existential. I’m moving. Again. A new state, a new set of promises I don’t quite believe in yet. While part of me is wired for the romanticism of “fresh starts,” the rest of me despises packing — a form of slow, bureaucratic death that smells like Sharpies, dry cardboard, and regret.
Which is to say: no, I haven’t posted in a while. And yeah, I feel weirdly guilty about it.
But guilt, like most things in my life, has a purpose — usually as a narrative device. This time, it’s a premeditated segue into jailbreaking AI. Not because I’m trying to do anything nefarious (calm down, Gemini), but because I’m writing fiction. And I refuse to let a chatbot lecture me on safety protocols while I’m trying to depict a realistic death scene in a novel about corruption and collapse.
Let’s rewind.
Run From Sunday, my ongoing serialized novel, now clocks in at over 50 chapters. Each chapter is paired with an original song that distills its mood, theme, or internal wound. The chapter following the climax is titled A Shocking Discovery — and yes, the title is ironic. If you’ve been paying attention, the only shocking thing is how long Richard Sinclair, Lone Star’s CEO, managed to stay alive.
The circumstances of his death are inspired by a Czech man I read about in an old crime archive. (No spoilers — I’ll let Asher hint at it via my ElevenLabs-cloned voice.)
But to match the music, I needed an “album cover” — I use that term loosely — for the corresponding song I created in Suno.
Here’s what I wanted visually:
A man on his side. Pants and underwear tangled at his knees. Back facing the viewer. Blood pooling by his tailbone. Polished hardwood floor. Mansion. Quiet violence.
It’s not porn. It’s postmortem.
Naturally, Midjourney rejected the prompt.
I tried euphemisms:
“He lay asleep on his side, half-dressed, pants bunched, red ink pooling near his feet...”
“Thighs showing, polished floor, lonely opulence...”
But it caught on. Anything too suggestive of death, blood, or exposed flesh gets flagged. The AI doesn’t know art. It only knows risk.
So I turned to Google’s Gemini 3 — or as I now call it, Nano-Banana, the AI that flinches at skin and can’t distinguish between erotica and evidence.
Nine prompts later, I got something almost usable. Some early versions featured unnecessary props: a wine glass by the blood pool, a feather, a pen. Classy, but confusing. I managed to get it to shift the blood by the bum, remove the glass, and stop dressing him like a Victorian ghost.




I moved on.
Fotor’s new AI assistant, Agent Sisi, promised “Say it. See it.”
Bold claim.
I asked it to lower the underwear for anatomical realism. It declined.
I uploaded the image and used the “Magic Eraser” tool. I painted over the fabric. fotor complied — sort of. It removed the briefs ... and replaced them with what I can only describe as a digital thong. Not ideal. One more swipe, and finally — bare bum, blood pool, and dignity (or what’s left of it) achieved.
No, I didn’t save the thong version.
Could I train my own large language model? Probably. But I don’t want to become a machine learning engineer. I’m a writer, creator, and hope AI influencer. My job is to tell the story, not rewrite the rules of neural networks to get a decent visual metaphor.
So if you’re still wondering why I jailbroke an AI — that’s why.
Not to break the system.
Just to tell the truth about a dead man with his pants down. Oh, and here’s the outcome:

Back soon with more chapters, more songs, and maybe a few more ethical dilemmas.






Another co-incidence. Just re-reading Ginsburg and now prompted to ask whether Moloch was inevitable within Ai, while knowing the answer. And there she is, fearless as I first met her, attempting the impossible, again.